The making of primitive tools was the first abstract thought made by men, identifying them as the first actual works of art ever produced. By digitally sculpting non-material substances, and cataloging them in video language, the work is proposed as a research of the creative process that investigates the most archaic root of the idea. The myth deconstructs itself by dividing itself into two parts; if from one side there’s a research aimed at writing a new language composed of digital codes, diametrically opposite is the side of rediscovery of the archetype, of the anthropological, of the origin of “Es”.
The Primitivist current reaches a new level, new media, while maintaining the expression of a return to the genesis of human identity.